a few books about photographers, the photograph and the photographic art forum that are interesting gateways to new learnings & photographic appreciation.
Every Photograph Has a Story: The Photograph Itself, The Photographer’s and The Viewers’: Some of the prints available on the website include the story behind them. For example, “The Carnival Stopped” is from one of the “Roadside America” trips along Virginia’s eastern shore where I was regularly exiting the highway to check out the villages, sea marsh and fishing boats. In Wachapreague, Virginia, population 230, the fishing boats were either all out at work or gone forever. I am not sure. The docks and handling facilities appeared to be in a state of disrepair, worn out or shut down. But there at the corner of Atlantic Rd. and Ice Plant Street, was the carnival. Not a soul to be seen. But there it was…a carnival stopped – a place of fun and community gathering but a little eery and ghost-like. Much like the fishing town itself.
In Henry Carroll’s new book, “Photographers on Photography, How the Masters See, Think & Shoot,” I was struck by this quote:
“When a person looks at a photograph you’ve taken, they will always think of themselves” Jason Fulford
Henry Carroll in is commentary notes, “right after we interpret the literal aspects of the image…we enter into a second, much personal meaning. The second reading is informed by elements such as our memories, personal experiences, tastes and cultural backgrounds…this second reading is unpredictable and entirely outside the photographer’s control. For Fulford, this gap between what is pictured and what it might mean is where photographs come alive”
There is an image on the website whose owner described it “art that stirs his soul.” For yet another owner, their print has an intimate feeling, and a nostalgic tone with a sense of timelessness. It is their views that give the images meaning and excitement.
In a related story from Artsy about Keith Haring, they note,
“The quickest way to kill your art, according to Haring, is to rigidly define it. “There is no need for definition,” he wrote. “Definition can be the most dangerous, destructive tool the artist can use when he is making art for a society of individuals.” That’s not to say an artist can’t have certain concepts or themes in mind when creating an artwork. But the “artist’s ideas are not essential to the art as seen by the viewer.…The viewer does not have to be considered during the conception of the art, but should not be told, then, what to think or how to conceive it or what it means.”This idea went hand in hand with his belief that artists should consider more than just the art world. “The viewer should be able to look at art and respond to it without wondering whether he ‘understands’ it. It does not aim to be understood! Who ‘understands’ any art?.…Nobody knows what the ultimate meaning of my work is because there is none.…It exists to be understood only as an individual response.”
Bringing Images to Life with Real Meaning: It is these kinds of personal reflections that turn the literal stories behind the images into your art. That is what brings an image to life and gives it real meaning.
As the new year begins and the sun rises on 2019…hope you find all your days full of brightness.
I have some equally bright new initiatives coming so stay tuned ( or sign up for the newsletter for the insider track). Hope you join in