One of the aspects of PhotoNexus that excites me is the talented group of people who have come together to share their knowledge, insights and inspiration with the small group of people attending the event.  We have brought together an outstanding group of independent curators, galleries, photographers, and photography educators who will offer a broad perspective on the art of photography, as well as take you behind-the-scenes with their own personal experiences and commentary.  Among the people behind the art, who PhotoNexus attendees will meet and engage with, are:

  • a person who apprenticed under Ansel Adams and was selected to print his Yosemite series.
  • among the photographers we have people whose work is in the National Portrait Gallery, the Fort Wayne Museum of Art, the San Francisco Museum of Modern Art and Center for Creative Photography, Tucson AZ– to name just a few
  • we have a person world renown for his platinum palladium prints
  • the galleries who are involved work with museums and private collectors. They also manage estates of some famous photographers
  • an expert on the historical development of photography and how it has influenced the contemporary artistic medium
  • the person who leads one of the world’s most prestigious and significant photography education programs, as well as a former member of the faculty of Art Center College of Design
  • a leader in the world of fine art photography and today’s digital world who has developed new approaches to fine art printing, book making and exhibiting
  • a pioneer in the photo books segment

On Saturday afternoon, we will make a special field trip to visit David Michael Kennedy’s studio and dark rooms.  Here is a preview

Meet the Talented People: here is a little more information about the distinguished and talented people who will share their insights and inspiration at PhotoNexus:

Mark Berndt: Mark Berndt is a photographer whose work celebrates people and the circumstance of life. He brings the experience of a long and varied career in the visual arts, offering a select set of services in photography, filmmaking, design and teaching to professional and emerging imaging artists in Santa Fe and worldwide. With more than 20 years of teaching experience, he brings considerable knowledge about, and experience in, the art and business of visual image-making and communications. http://markberndt.com/

Reid Callanan has spent his entire adult life focused on photographic education — the past twenty-eight years as Director of the world renown Santa Fe Photographic Workshops and before that working at Maine Photographic Workshops. In addition to his role as director, Reid has taught a workshop named “Cameras Don’t Take Pictures.” While his business career is mostly all consuming, he also makes time to photograph every day and for his ongoing projects.  Reid also founded the non-profit Santa Fe Center for Photography, now known as Center, and is currently an officer on its Board of Director. https://www.santafeworkshops.com https://www.reidcallanan.com/about

Natalie Christensen is a photographer based in Santa Fe, New Mexico and has shown work in the U.S. and internationally including London, Dusseldorf, New York and Los Angeles. She was one of five invited photographers for the exhibition The National 2018: Best of Contemporary Photography at the Fort Wayne Museum of Art and has recently been named one of “Ten Photographers to Watch” by the Los Angeles Center of Digital Art. Her photographs are in the permanent collections of the Fort Wayne Museum of Art and the University of Texas at Tyler.  In addition to pursuing her interests in art and design, Natalie has worked as a psychotherapist for over 25 years and has been particularly influenced by the work of depth psychologist Carl Jung. This influence is evidenced in her photographs, as shadows and psychological metaphors are favored subjects.  https://nataliechristensenphoto.com

David Michael Kennedy. His body of work spans over 40 years and is held in both private and museum collections including The National Portrait Gallery, The Smithsonian Institution and The Harwood Museum, among many others.  His impressive and vast body of work includes iconic portraits of musicians, actors and artists. Visitors often find themselves stumbling onto recognizable pictures of Bob Dylan, Debbie Harry or Willie Nelson –pictures that they have known well and for years-but now have the opportunity to meet the artist and hear the stories behind the famous images.  Leaving New York and commercial photography in 1986 David Michael Kennedy moved to New Mexico and began to focus on his fine art photography. His name quickly became synonymous with New Mexican Landscapes and we are fortunate to see it through his eyes. Kennedy’s images are materialized through the traditional analogue technique of Platinum/Palladium printing, of which he is widely considered to be one of the best in the world. https://www.davidmichaelkennedy.com

Pilar Law has been in the business of photography and a photographer’s advocate for 14 years. She’s worked with photo stock agencies, technology companies and photo labs to bring them online and to develop new approaches to fine art printing, book making and exhibiting, social media marketing and sales. During the course of her work, she studied with photographers who encouraged her to hone her own skill and pursue fine art photography. http://www.pilarlaw.com/about.html.  Edition ONE is a unique contemporary photography gallery specializing in editions of one. Edition ONE collectors will find exclusive access to new photographic works both from emerging and established photographers in Santa Fe and around the world.

Monroe Gallery of Photography specializes in classic black & white photography with an emphasis on humanist and photojournalist imagery. The gallery features work by more than 50 renowned photographers and also represents a select group of contemporary and emerging photographers,  some of the best photography the 20th and 21st century have to offer.  Sidney and Michelle Monroe maintain extensive personal connections with important photographers, clients, collectors, dealers, estates, auction houses, and archives world-wide. They have consulted with photographers, estates, and archives to curate and organize programs and exhibitions. They advise private collectors, museums and corporations with an emphasis on building significant collections with a variety of prudent focuses. They are acknowledged experts on the life and work of numerous important photographers, including several famed LIFE Magazine photojournalists, such as Margaret Bourke-WhiteCarl Mydans, and Alfred Eisenstaedthttp://www.monroegallery.com/

Photo-Eye  was founded in 1979 by Rixon Reed. It is the world’s foremost online photography bookstore featuring over 30000 fine-art photography books.  It has since grown to also become one of the world’s foremost website devoted to contemporary photography and the photo-eye Gallery was established in Santa Fe New Mexico in 1991 as a division of photo-eye and has been selling prints online since 1996.  https://www.photoeye.com

Alan Ross is an internationally respected master photographer and educator who worked side-by-side with Ansel Adams. He continues to be the exclusive printer of the Yosemite Special Edition negatives, an assignment Adams selected him for personally in 1975.  Alan makes each print by hand from Adams’ original negatives using traditional darkroom techniques. As an artist, Alan is known for his tonally exquisite black-and-white photographs of the American west. His photographs are in collections and galleries around the world including Houston’s Museum of fine Arts, The Yale Museum of Art and the Center for Creative Photography in Tucson.  He teaches about the art of seeing and is also a master printer. https://www.alanrossphotography.com/

Scheinbaum & Russek, are celebrating 38 years in business and they specialize in 20th century vintage and contemporary photography as well as representing the Estates of Beaumont and Nancy Newhall and Eliot Porter. Scheinbaum & Russek have approached the gallery world through their roles as educators, artists, and collectors and bring to their gallery an appreciation of photographers, the fine print and the history of photography.  http://www.photographydealers.com

Jennifer Schlesinger, Owner and Director of Obscura Gallery, is a Curator, Gallerist, Educator, and Artist. Schlesinger has approached her fine art photography with an interest in how the historical development of photography has influenced the contemporary artistic medium – mostly exploring the 19th century albumen and 20th century gelatin silver printing processes and combining them with contemporary landscape surrealism. Obscura Gallery represents the finest contributions to the history of photography both through contemporary and vintage works.  https://www.jenniferschlesinger.com/ https://www.obscuragallery.net

 

Come join us.  More information and registration at: https://binhammerphotographs.com/photonexus

 

Behind PhotoNexus 2019

PhotoNexus 2019 launched today.  It is a new, distinct and immersive weekend experience about the art of photography. PhotoNexus brings together curators, gallerists, photography educators and photographers to share their personal perspectives and behind-the-scenes insights with a small group of people who are curious and/or passionate about photography as art.  Whether you are considering or already collecting photographs, or you want to understand more about the art form, the PhotoNexus weekend is an experience for you.

When I started BinhammerPhotographs, PhotoNexus was the idea and dream of doing something to support understanding and insights about the art of photography and the photograph as art.  More than just sell small batch limited and personal exclusive edition prints, I thought it would be fun to create an experience where a small group of people could come together to explore the creation and realization of the photograph as art.  It was first referenced and foreshadowed here. I’m excited that this idea and dream is now a reality.

Details and Registration are here.

The Idea of PhotoNexus and the Path to Reality: The thinking behind PhotoNexus was that I was a self taught photographer.  Once I started down that path, I also became a self taught lover of photography as art.  To understand photography as art (beyond making the photographs) I read books, such as: Why People Photograph; Core Curriculum; At the Edge of the Light; The Nature of Photographs; and, The Photographer’s Eye.  I went to museum exhibits, read the wall plaques and looked at the photos on my own. Many of those (and the gallery visits) were focused on individual artists or thematic shows.  You learned from them but not necessarily about the art itself in a more general way.

I went to galleries to see photography exhibits but not having the thousands of dollars to buy any, I never really asked the gallerist too much — thinking it would be kind of embarrassing to me, and since I wasn’t buying, sort of a waste of time to the gallery.  One exception to that was a visit to the Andrew Smith Gallery (when it was in Santa Fe) years ago.  The staff person welcomed me and my dog with open arms.  I explained I was not in a position to buy an Ansel Adams worth tens of thousands of dollars. He said it didn’t matter, said he would show me around and after a little highlights tour, took me into the back room where the drawers of pictures are that are not on display opened them up and said, “OK who would you like to see” and what else can I answer.

With the Andrew Smith Gallery exception, all of my learning has been on my own…and sort of compartmentalized.  PhotoNexus was an idea that we could bring together a diverse group of people involved in different aspects of the art of photography to share their insights and passion with a group people who would like to learn more about photography — and do it in a fun, engaging way.

The People and Program: Over the last several months, I have reached out, “cold-calling” and emailing dozens of private collectors, museum curators, private curators, photography and art critics, galleries and photographers. To all of those who replied and gave this event consideration or made referrals, I am extremely appreciative and thankful. Since December I have been reaching out wondering if the idea had merit.  Along the way, there was a lot of encouragement and support, including from many who could not be involved for various reasons.

The result is PhotoNexus brings together an outstanding and diverse community of people across the “sectors” of photography in Santa Fe.  I am excited by the talented and special people who have agreed to contribute to the event and share their talents and expertise.  It is their personal perspectives, passions and talent that will deliver real insights and value to people who love photography and want to learn more about it as art.  To them I say a huge thank you.  To each and every one of them from my heart.  There may be two or three others yet to be announced, but for now, this is an outstanding and generous group:

Mark Berndt is a photographer whose work celebrates people and the circumstance of life. He brings the experience of a long and varied career in the visual arts, including more than 20 years of private teaching.  His commitment to the art and business of professional photography brings considerable knowledge to the art of photographing and photography. http://markberndt.com/

Reid Callanan has a deep passion for photography and has spent his entire adult life focused on it, especially as a photographic educator — the past twenty-eight years as Director of the world-renowned Santa Fe Photographic Workshops and before that working at Maine Photographic Workshops.  Well known for his workshop “Cameras Don’t Take Pictures” he also makes time to photograph every day and for his ongoing projects. https://www.santafeworkshops.com https://www.reidcallanan.com/about

Natalie Christensen is a photographer and has shown work in the U.S. and internationally including London, Dusseldorf, New York and Los Angeles. Her photographs are in the permanent collections of the Fort Wayne Museum of Art and the University of Texas at Tyler.  In addition to pursuing her interests in art and design, Natalie also worked as a psychotherapist for over 25 years. https://nataliechristensenphoto.com

Anne Kelly is the director of the Photo-Eye gallery.  Photo-Eye was founded in 1979 as a mail order photography book source. It is the world’s foremost online photography bookstore featuring more than 30,000 fine-art photography books.  It has grown to include one of the world’s foremost websites devoted to contemporary photography. The Photo-eye gallery was established in Santa Fe in 1991 and has been selling prints online since 1996. https://www.photoeye.com

 David Michael Kennedy has a body of work spanning over 40 years which is held in both private and museum collections including The National Portrait Gallery, The Smithsonian Institution and The Harwood Museum.  His body of work includes iconic portraits of musicians, actors and artists. Leaving New York and commercial photography in 1986, David Michael Kennedy moved to New Mexico and focused on his fine art photography. His images are materialized through the traditional analogue technique of Platinum/Palladium printing, of which he is widely considered to be one of the best in the world. https://www.davidmichaelkennedy.com

Pilar Law has been in the business of photography and a photographer’s advocate for 14 years. She’s worked with photo stock agencies, technology companies and photo labs to bring them online and to develop new approaches to fine art printing, book making and exhibiting, social media marketing and sales.  She is also a curator, gallerist and photographer.  Her Edition One Gallery is a unique contemporary photography gallery specializing in editions of one both from emerging and established photographers. http://www.pilarlaw.com/about.html https://www.editiononegallery.com/

Sidney and Michelle Monroe maintain extensive personal connections with important photographers, clients, collectors, dealers, estates, auction houses, and archives world-wide. They advise private collectors, museums and corporations with an emphasis on building significant collections with a variety of prudent focuses. Their Monroe Gallery of Photography specializes in classic black & white photography with an emphasis on humanist and photojournalist imagery. http://www.monroegallery.com/

Alan Ross is an internationally respected master photographer and educator who worked side-by-side with Ansel Adams. He was personally selected by Ansel to print his Yosemite Special Edition negatives. As an artist, Alan is known for his tonally exquisite black-and-white photographs of the American west; his photographs hang in collections and galleries around the world including Houston’s Museum of Fine Arts, The Yale Museum of Art and the Center for Creative Photography in Tucson.  He teaches the art of seeing and is also a master printer. https://www.alanrossphotography.com/

Jennifer Schlesinger is the owner and director of Obscura Gallery. She is also a curator, educator and artist. Jennifer has approached her fine art photography with an interest in how the historical development of photography has influenced the contemporary artistic medium. Jennifer graduated from the College of Santa Fe in 1998 with a B.A. in Photography and Journalism. Jennifer has exhibited widely. https://www.jenniferschlesinger.com/  https://www.obscuragallery.net

Scheinbaum & Russek, are celebrating 38 years in business and they specialize in 20th century vintage and contemporary photography as well as representing the Estates of Beaumont and Nancy Newhall and Eliot Porter. Scheinbaum & Russek have approached the gallery world through their roles as educators, artists, and collectors and bring to their gallery an appreciation of photographers, the fine print and the history of photography. http://www.photographydealers.com

Join us at PhotoNexus and engage more deeply with the art you love.

  • Discuss the creation of images, their realization in prints and the world of photographic art
  • Meet Santa Fe’s premier gallery owners for professional perspectives about what to look for when viewing photographs
  • Learn about photobooks and the evolution of online photography galleries
  • Understand trends impacting the art, the market and a world awash in imagery with leading photography experts and educators
  • Experience and explore fine art prints with a first-hand look at how they are made at one of the world’s leading platinum/palladium printers
  • Take a photo walk with some of Santa Fe’s finest photographers and go behind the camera to take a look at what they see and why they are shooting. Bring your camera
  • Engage in a dialogue with a panel of contemporary and internationally acclaimed photographers about their visions, fine art work and photography today

As noted in the Collectors Guide,

“New Mexico,” Ansel Adams said, is “the most completely beautiful place I have ever seen.” Everywhere, it seems, there’s a scene just waiting to have its picture taken: horses grazing in the shadow of Shiprock, the bustle of the SantaFe Plaza, the sunlight raking the adobe walls at the Ranchos de Taos church. Then there’s the photo scene itself. Galleries, museums, colleges, even bookstores, continually hang new photographic exhibits and hold openings, book signings, and lectures.

For photographers and those who appreciate their art, Santa Fe may be the most rewarding destination on the planet – and the third largest photo market in the country.”

Hoping you will join us for the experience to explore the art of photography with people behind the art. See the program and register here

Photographer Showcase Introduction: In addition to my own photography, I also enjoy photography by others.  Over the coming months I want to share work by photography friends.

Meet Geoff Livingston Photography:  Geoff and I got to know each other in the early days of social media and business.  We then discovered we both enjoyed photography and our friendship began to meld.  Then I moved to Virginia. Geoff is in DC…and our time together became more frequent and more photographic.  While I often go shooting alone, Geoff and I have gone shooting together in the Blue Ridge mountains, at the Appomattox court house where the civil war came to an end, in DC for Pride festival and cherry blossoms.  We always have a blast shooting together and talking about our imagery, projects and gear…as well as about life.  He taught me how to shoot at night and I tagged along on one his photography workshops on street photography.  He is a generous teacher and a good friend.

On Geoff’s Photography: Geoff covers a broad swath of photographic genres including event photography, photojournalism, portraits, engagement shoots, and fine art photography.  Most recently I was excited to follow along as he documented the government shutdown and its impact on people in DC.  He also has a running photo series about the Trump resistance.  His documentary photography has a voice and is all about change in the world.  His landscapes represent serenity and peace…he bridges both the chaos and beauty in ways that make you want to look more. You can check out his site here.  Hope you enjoy these photos from his “Isolation” project.

Be sure to click on the image for the story behind each…And here is Geoff’s commentary:

By Geoff Livingston: Isolation Project – Ten New Images

It is with great pleasure that I am publishing a new series of isolation street photographs with Binhammer Photographs. These are arguably my best 10 isolation shots taken in the past year.

In early 2018 I was fortunate enough to have ten of my street photographs featured in ExposedDC’s Crystal City Exhibit. These ten photos were hung on the wall as a photowalk through the city’s underground tunnels. The theme for the ten photos was isolation.

From that original series, I defined one of my approaches to street photography, creating a new modernist sense of isolation:

The current sense of alienation finds us alone in a crowd, both in the city and with social media. Our sense of self is exacerbated, a brilliant signal in a vast barren field of noise…  When we are in the world, surrounded by crowds (and that person taking an over-contrived selfie to add to the digital noise) we feel relief, but see ourselves as a unique signal in the noise. The rest of the world doesn’t even see us, just more noise. I [try] to capture the 21st century sense of self, surrounded by millions, yet alone.

With that in mind, this is a new series of Isolation photos taken in the past nine months. Click on the image for the story behind each photograph.

I’ve been reading Henry Carroll’s new book, “Photographers on Photography, How the Masters See, Think & Shoot”.  He takes a look at the influential figures from past and present who pushed photography forward. Through a selection of quotations, photographs and interviews he offers insights into the minds of masters and examines the approach to the craft and what matters.  His U.K. publishers have a blog post with some lovely excerpts which feature a selection of images from the book that serve as brief introductions to the big ideas and collective viewpoints on thought-provoking photography.  The book is a great read.

Rather than a chronological storyline, the book is organized around thoughts about photography by photographers.  It is a sort of an introduction and examination of the philosophical aspects of photography using quotes, iconic images and Carroll’s own commentary.   There is no delineation by chapter of which specific philosophical underpinnings of photography are being explored (rather the book “chapters” are simply a list of the photographers by name).  While Carroll’s selection of quotes and commentary leads you on a path, he leaves the interpretations open to the reader.  In this respect the book is like a series of thought starters for you about how you think about and view photographs. While I am still reading the book and continuing to digest it, here are some of my takeaways on some of the perspectives offered in the book:

  1. The camera as machine…and the linkage between man, emotion, art and a machine
  2. Pictures, photographs, prints and the parameters around each of them
  3. Photographic consumption and the digital world we live in today
  4. The image as a reality, a selected segment of reality, a past or an emotion and how these combinations may inter-relate
  5. The diversity of photographers’ views of their own image making (i.e. photographs are taken as a whim, to feature a subject or to say something more).  Is the photographer driven by the making of a political statement, reporting and/or emotional expression?
  6. What and/or who gives a photograph meaning: the photographer? the subject? and/or the viewer? or the context?  This was discussed for fully in my email newsletter, in case you want to subscribe to future emails for commentary about photography, and even some special offerings that are available to subscribers. Subscribe on my the bottom at the contact page 
  7. The power of photography…or not

Be prepared…the book forces you to think and often raises more questions than answering them.  In some cases you flip a page and the next page contradicts the page before it….it forces you to think about the different perspectives and approaches to photography.

This is a great book. It is an enjoyable, thought-provoking, informative read that takes you into the world of thinking about photography for collectors and photographers.

Here’s a video of Henry Carroll talking about the book…his challenges putting it together and what it is all about.  Enjoy the video.  Enjoy the book.

In the onslaught of our busy lives – our work, the news, the everyday chores, responsibilities to family and friends, driving from here to there or sitting in traffic, the alerts on our phones – all of these are fragments are part of building a family, career and to get ahead.  People are busy, keeping in touch and moving forward to build and live a life. It can be a world of worries, of fast-paced activities, successes and failures. Life is often busily routine and complex.

But for people/humans, being alive also includes the mystery of emotion, whether that be anger or frustration, or those peaceful reflective times and moments of beauty.  Those quiet opportunities of pensive thought touch our hearts in strange and magical ways. Those times our being is touched and we reflect, even for a passing moment, as we see and feel the quest for meaning and beauty in our lives.

A gorgeous sunset or sunrise, a memory of some event, thing or person, an expansive landscape or a specific place can bring to the forefront moments that are opportunities where we find ourselves pausing to reflect on an aspect of beauty and wonderment in our lives — a moment that evokes emotion and reaches beyond our day-to-day activities to touch our souls and being.

While it is common to base notions of photographic art on capturing that “decisive moment”, BinhammerPhotographs makes and thinks about the photograph as a means of creative expression that is more than just a moment. The image is composed in a manner that turns the familiar into something more. The things we often take for granted have the potential to become a dream and a place where the mind may venture – a journey. The captured moment of reality becomes a place to explore, a path to realization, a spot of quiet solitude, rather than just a specific time and locale. It is that moment of beauty.

Making photographs in black & white with infrared light captures a part of the light spectrum humans cannot see, resulting in different textures and dynamic tones.  These effects beg the question: “what is reality?” Infrared photography reveals the unseen and defeats assumptions about the “reality” in a photograph thus requiring the viewer to respond differently to the image. The infrared image presents a dreamy and new perspective of the known world, creating a new place to visit or imagine.

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