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What is the Original Photograph

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“Fine art prints created by the artist, or the artist’s collaborator, are important because they best represent the artist’s vision” – Mac Holbert

Defining an original painting is pretty straight forward. The artist painted it and it is one of a kind – the strokes of oil and the color mixtures are obvious and there is only one — it can’t be duplicated. There might be prints of the painting, but the original is an original.

Limited Edition Photographs as Originals: But what is an original photograph when a photograph can be printed numerous times? That’s why many photographers limit the number of prints they make and create what is known as a “Limited Edition.” Limited edition prints are the most valued type of fine art photography by virtue of the limited supply of the prints, and their direct “connection” to the photographer who made the image and oversaw or made the prints themselves. With each limited edition there are usually a couple of “artist’s proofs.”

The Story of Ansel Adams’ Moonrise Image: Of course, for every rule there are aberrations, and because of the evolution of photography in the art market, some early situations don’t quite live up to the general rules noted above. For example, let’s look at Ansel Adams’ image Moonrise, Hernandez, New Mexico. It is perhaps the best known and most sought after photographic print in the field of fine-art photography. On October 6, Christie’s photographs auction saw a landmark result for Moonrise, Hernandez, New Mexico, 1941, which exceeded its high estimate of $700,000 to sell for $930,000, the highest price ever seen at auction for this iconic image.

The story of its making is legendary including how Adams had a difficult and challenging day photographing in the Chama Valley, north of Santa Fe, and had not achieved any images he was satisfied with. Driving back to Santa Fe, he saw this town where the low sun was trailing the edge of the clouds in the west, and shadow would soon dim the white crosses. Struggling to load up his equipment, unable to find his light meter, Adams made a calculation in his head and hoped for the best, with a plan to take a second shot at a different exposure. The sun set and the second shot could not be made. You can read more about the chaos and chances taken at the Ansel Adams gallery website or check out this video. There is also a good story here.

What is interesting about the Moonrise print is that our understanding about “the original” and the understanding of limited editions falls apart. First, while Adams had a weak negative to work with, he knew he had a great image. He just could not quite get the prints where he wanted them to be. Over the next forty years, Adams continued to tinker with the prints in the darkroom, including experimenting with different chemicals and papers as darkroom technology advanced.

As you can see, different eras of the print look very different. Adams noted that it was not until the 1970s that he achieved the print equal to his original visualization of the scene. This begs a question – what is the original? The earliest prints or the later versions of the print that Adam’s was more satisfied with? The Ansel Adams Gallery defines original as “Each original photograph we sell has a Certificate of Authenticity that states it has been authenticated by the Adams family as composed, exposed and printed by the artist himself. “

Secondly, Moonrise breaks the rules on “Limited Editions.” All versions printed by him can be authenticated. However, between the 1940s and the 1970s he produced prints whenever an order for a copy of the image came in. The most common size was 16’’ x20’’. There is a rarer group of prints at the mural size (30’’ x 40”). Adams kept no records, so no one really knows how many copies of this image were made. It is estimated that are anywhere between 900 and 1,300 prints made over 40 years – perhaps worth a cumulative $25 million. Ansel Adams said, with all that tinkering and various alterations, “it is safe to say that no two prints are precisely the same.”

In that respect, perhaps they are all originals.

To convey in the print the feeling you experienced when you exposed your film – to walk out of the darkroom and say: ‘This is it, the equivalent of what I saw and felt!’. That’s what it’s all about – John Sexton

 

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Every Picture Tells Three Stories

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Every photograph tells a literal story.  The image itself is a story.  Then there is the story behind why the photographer took it — what was included in the image or left out, why it was taken, the lighting and mood.  And then, there is the story that is told because of the viewers’ response or what it means to someone looking at it.

In Henry Carroll’s book, “Photographers on Photography, How the Masters See, Think & Shoot,”  I was struck by this quote from Jason Fulford:

“When a person looks at a photograph you’ve taken,
they will always think of themselves” 

Henry Carroll in his commentary notes, “right after we interpret the literal aspects of the image…we enter into a second, much more personal meaning. The second reading is informed by elements such as our memories, personal experiences, tastes and cultural backgrounds…this second reading is unpredictable and entirely outside the photographer’s control.  For Fulford, this gap between what is pictured and what it might mean is where photographs come alive”

There is an image on my website whose owner told me it touches her deeply to the point of tears when she reflects on it. Another image has been described by its owner as “art that stirs the soul.”  For yet another owner, their print has an intimate feeling, and a nostalgic tone with a sense of timelessness.  It is these kinds of personal reflections that turn the literal stories behind the images into art that means something to you. That is what brings an image to life and gives it real meaning.

It is personal reflections like these that I value in delivering Limited and Personal Exclusive editions to you.  For example, these two images, “No More General Store” and “Guard to History”, became fine art Limited Edition prints as a result of direct discussions about the photographs with people who had seen them and wanted prints for their own reasons.  In the case of “Guard to History,” the backstory is this photograph is of the guard booth on the grounds of Mount Vernon near George Washington’s tomb. It is empty and even a little weathered. It was taken in the winter months…but there is a little light reflection on the bushes.  Perhaps the title should have a question mark after it?

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PhotoNexus 2019: The Art of Photography as Art

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Behind PhotoNexus 2019

PhotoNexus 2019 launched today.  It is a new, distinct and immersive weekend experience about the art of photography. PhotoNexus brings together curators, gallerists, photography educators and photographers to share their personal perspectives and behind-the-scenes insights with a small group of people who are curious and/or passionate about photography as art.  Whether you are considering or already collecting photographs, or you want to understand more about the art form, the PhotoNexus weekend is an experience for you.

When I started BinhammerPhotographs, PhotoNexus was the idea and dream of doing something to support understanding and insights about the art of photography and the photograph as art.  More than just sell small batch limited and personal exclusive edition prints, I thought it would be fun to create an experience where a small group of people could come together to explore the creation and realization of the photograph as art.  It was first referenced and foreshadowed here. I’m excited that this idea and dream is now a reality.

Details and Registration are here.

The Idea of PhotoNexus and the Path to Reality: The thinking behind PhotoNexus was that I was a self taught photographer.  Once I started down that path, I also became a self taught lover of photography as art.  To understand photography as art (beyond making the photographs) I read books, such as: Why People Photograph; Core Curriculum; At the Edge of the Light; The Nature of Photographs; and, The Photographer’s Eye.  I went to museum exhibits, read the wall plaques and looked at the photos on my own. Many of those (and the gallery visits) were focused on individual artists or thematic shows.  You learned from them but not necessarily about the art itself in a more general way.

I went to galleries to see photography exhibits but not having the thousands of dollars to buy any, I never really asked the gallerist too much — thinking it would be kind of embarrassing to me, and since I wasn’t buying, sort of a waste of time to the gallery.  One exception to that was a visit to the Andrew Smith Gallery (when it was in Santa Fe) years ago.  The staff person welcomed me and my dog with open arms.  I explained I was not in a position to buy an Ansel Adams worth tens of thousands of dollars. He said it didn’t matter, said he would show me around and after a little highlights tour, took me into the back room where the drawers of pictures are that are not on display opened them up and said, “OK who would you like to see” and what else can I answer.

With the Andrew Smith Gallery exception, all of my learning has been on my own…and sort of compartmentalized.  PhotoNexus was an idea that we could bring together a diverse group of people involved in different aspects of the art of photography to share their insights and passion with a group people who would like to learn more about photography — and do it in a fun, engaging way.

The People and Program: Over the last several months, I have reached out, “cold-calling” and emailing dozens of private collectors, museum curators, private curators, photography and art critics, galleries and photographers. To all of those who replied and gave this event consideration or made referrals, I am extremely appreciative and thankful. Since December I have been reaching out wondering if the idea had merit.  Along the way, there was a lot of encouragement and support, including from many who could not be involved for various reasons.

The result is PhotoNexus brings together an outstanding and diverse community of people across the “sectors” of photography in Santa Fe.  I am excited by the talented and special people who have agreed to contribute to the event and share their talents and expertise.  It is their personal perspectives, passions and talent that will deliver real insights and value to people who love photography and want to learn more about it as art.  To them I say a huge thank you.  To each and every one of them from my heart.  There may be two or three others yet to be announced, but for now, this is an outstanding and generous group:

Mark Berndt is a photographer whose work celebrates people and the circumstance of life. He brings the experience of a long and varied career in the visual arts, including more than 20 years of private teaching.  His commitment to the art and business of professional photography brings considerable knowledge to the art of photographing and photography. http://markberndt.com/

Reid Callanan has a deep passion for photography and has spent his entire adult life focused on it, especially as a photographic educator — the past twenty-eight years as Director of the world-renowned Santa Fe Photographic Workshops and before that working at Maine Photographic Workshops.  Well known for his workshop “Cameras Don’t Take Pictures” he also makes time to photograph every day and for his ongoing projects. https://www.santafeworkshops.com https://www.reidcallanan.com/about

Natalie Christensen is a photographer and has shown work in the U.S. and internationally including London, Dusseldorf, New York and Los Angeles. Her photographs are in the permanent collections of the Fort Wayne Museum of Art and the University of Texas at Tyler.  In addition to pursuing her interests in art and design, Natalie also worked as a psychotherapist for over 25 years. https://nataliechristensenphoto.com

Anne Kelly is the director of the Photo-Eye gallery.  Photo-Eye was founded in 1979 as a mail order photography book source. It is the world’s foremost online photography bookstore featuring more than 30,000 fine-art photography books.  It has grown to include one of the world’s foremost websites devoted to contemporary photography. The Photo-eye gallery was established in Santa Fe in 1991 and has been selling prints online since 1996. https://www.photoeye.com

 David Michael Kennedy has a body of work spanning over 40 years which is held in both private and museum collections including The National Portrait Gallery, The Smithsonian Institution and The Harwood Museum.  His body of work includes iconic portraits of musicians, actors and artists. Leaving New York and commercial photography in 1986, David Michael Kennedy moved to New Mexico and focused on his fine art photography. His images are materialized through the traditional analogue technique of Platinum/Palladium printing, of which he is widely considered to be one of the best in the world. https://www.davidmichaelkennedy.com

Pilar Law has been in the business of photography and a photographer’s advocate for 14 years. She’s worked with photo stock agencies, technology companies and photo labs to bring them online and to develop new approaches to fine art printing, book making and exhibiting, social media marketing and sales.  She is also a curator, gallerist and photographer.  Her Edition One Gallery is a unique contemporary photography gallery specializing in editions of one both from emerging and established photographers. http://www.pilarlaw.com/about.html https://www.editiononegallery.com/

Sidney and Michelle Monroe maintain extensive personal connections with important photographers, clients, collectors, dealers, estates, auction houses, and archives world-wide. They advise private collectors, museums and corporations with an emphasis on building significant collections with a variety of prudent focuses. Their Monroe Gallery of Photography specializes in classic black & white photography with an emphasis on humanist and photojournalist imagery. http://www.monroegallery.com/

Alan Ross is an internationally respected master photographer and educator who worked side-by-side with Ansel Adams. He was personally selected by Ansel to print his Yosemite Special Edition negatives. As an artist, Alan is known for his tonally exquisite black-and-white photographs of the American west; his photographs hang in collections and galleries around the world including Houston’s Museum of Fine Arts, The Yale Museum of Art and the Center for Creative Photography in Tucson.  He teaches the art of seeing and is also a master printer. https://www.alanrossphotography.com/

Jennifer Schlesinger is the owner and director of Obscura Gallery. She is also a curator, educator and artist. Jennifer has approached her fine art photography with an interest in how the historical development of photography has influenced the contemporary artistic medium. Jennifer graduated from the College of Santa Fe in 1998 with a B.A. in Photography and Journalism. Jennifer has exhibited widely. https://www.jenniferschlesinger.com/  https://www.obscuragallery.net

Scheinbaum & Russek, are celebrating 38 years in business and they specialize in 20th century vintage and contemporary photography as well as representing the Estates of Beaumont and Nancy Newhall and Eliot Porter. Scheinbaum & Russek have approached the gallery world through their roles as educators, artists, and collectors and bring to their gallery an appreciation of photographers, the fine print and the history of photography. http://www.photographydealers.com

Join us at PhotoNexus and engage more deeply with the art you love.

  • Discuss the creation of images, their realization in prints and the world of photographic art
  • Meet Santa Fe’s premier gallery owners for professional perspectives about what to look for when viewing photographs
  • Learn about photobooks and the evolution of online photography galleries
  • Understand trends impacting the art, the market and a world awash in imagery with leading photography experts and educators
  • Experience and explore fine art prints with a first-hand look at how they are made at one of the world’s leading platinum/palladium printers
  • Take a photo walk with some of Santa Fe’s finest photographers and go behind the camera to take a look at what they see and why they are shooting. Bring your camera
  • Engage in a dialogue with a panel of contemporary and internationally acclaimed photographers about their visions, fine art work and photography today

As noted in the Collectors Guide,

“New Mexico,” Ansel Adams said, is “the most completely beautiful place I have ever seen.” Everywhere, it seems, there’s a scene just waiting to have its picture taken: horses grazing in the shadow of Shiprock, the bustle of the SantaFe Plaza, the sunlight raking the adobe walls at the Ranchos de Taos church. Then there’s the photo scene itself. Galleries, museums, colleges, even bookstores, continually hang new photographic exhibits and hold openings, book signings, and lectures.

For photographers and those who appreciate their art, Santa Fe may be the most rewarding destination on the planet – and the third largest photo market in the country.”

Hoping you will join us for the experience to explore the art of photography with people behind the art. See the program and register here

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A Photo Compilation from ArtExpo New York

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A little photo compilation from ArtExpo New York including the new aluminum prints, the booth and the photography friends

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Exhibiting New Aluminum Prints at ArtExpoNewYork

Time magazine recently published an issue reflecting on how art is at the heart of optimism.

“Art calls to the optimism within us and beckons us to breathe…To meet us where we are and to invite us in – to think, to feel, to wonder, to dream, to debate, to laugh, to resist, to roam, to imagine. Art is worthy of our interrogation”

For 41 years and counting, Artexpo New York has changed how people buy and sell art. This year, Artexpo New York champions the transformative power of art with the powerful theme of “Transform.” Art challenges the status quo, changes our perceptions, and pushes us to see ourselves and others from a new perspective. Through its power, art transforms.

ArtExpo New York is an ideal opportunity to wander and enjoy more than 1,000 established and emerging artists, galleries, and art publishers.  Running from April 5-7, 2019 (with a special trades day on April 4th for galleries, designers and other trades in the art market), this annual curated show brings the biggest industry buyers and collectors together with artists and 35,000+ attendees.  It is a chance to see the newest, brightest faces of the art world and to purchase works from exhibitors in person.

Here is a link to ArtExpo NYC “discoveries” collection which features great options at $5,000 or less and is among the favorite picks from ArtExpo NYC.  Here are some of my items selected for the Discovery Collection and you can also see a set on Flickr.

 

New Dye-Sublimation Aluminum Prints: In addition to exhibiting these photos, I am excited to be working with BlazingEditions and trying something new beyond my own small batch limited edition archival prints on paper.  For ArtExpo NewYork, I am going to also show the two images below in a larger format (the cactus will be 30”x 40”) printed on aluminum.  Here is an explanation from Blazing Editions:

“Sublimation onto metal is a new, cutting edge, way to reproduce an image. Sublimation itself is the process of going from a solid to a gas, back to a solid – skipping the liquid state.

The image is first printed onto a transfer paper and then is adhered to pretreated aluminum (other substrates such as tile, wood, or glass are also available).

The aluminum and transfer paper are placed into a custom heat press, which is heated to temperatures exceeding 380 degrees Fahrenheit. While being subjected to extreme heat and pressure, the dyes from the transfer paper turn into a gas, are pressed into the surface of the metal, and then solidify into the treated aluminum. As the dyes cool they are permanently infused beneath the surface of the metal substrate.”

Fine art photograph of urban architecture Fine art conceptual photography of cactus landscapes, black and white infrared

The black and white infrared image is printed on clear gloss aluminum.  It not only “pops” because of the glossy metal surface but also has a sort of 3-dimensional feel to it.  The image “changes” as you walk around it going from a flat gray photo negative appearance to the popping 3-dimensional infrared image (this is influenced by the light reflecting off the aluminum).

I am both excited by this new print format and how it impacts the image, as well as a little nervous since the infrared image on clear gloss is a bit “out there” as it changes with the light.

Art Talks: In addition to exhibiting new works at ArtExpo NYC, I will also be participating in the Art Talks Topics & Trends Education Program where I will be discussing aspects of my art, inspiration and career as an artist.

Worth Noting the AIPAD show: At the same time as ArtexpoNewyork (and just up the street at Pier 94) is the Annual Association of International Photography Art Dealers (AIPAD) 39th edition of The Photography Show. Nearly 100 of the world’s leading fine art photography galleries will present a range of museum-quality work including contemporary, modern, and 19th century photographs, photo-based art, video, and new media. When I lived in NYC, I enjoyed this show every year.  Check it out too if you can.

If you are in New York, please drop by and say hi

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Giving the Gift of Art

Art is very much a personal choice.  Giving art as a gift can be a very memorable and meaningful way to recognize a special someone.  Giving art to a family member, a valued friend or colleague can show how much they mean to you. It can brighten a home or apartment.  It can also be difficult to choose for someone else.

Here Come the Holidays,  Personal and Meaningful Gift Giving

As the holidays approach and we think about others, a work of art can be a unique and wonderful gift.  It is a more personal gift than a tie, sweater, gift basket or kitchenware.  

One of the most memorable gifts I ever received was art from a team I worked with.  They consulted with a friend and artist, Jennifer Dickson, and selected a work called “The Dreamer”.  To this day it hangs in my bedroom over my dresser where I see it every day.  

As a young boy, I wanted to give something special to my parents and siblings for Christmas.  I turned to art.  At that age, I was not buying original art. The gifts of art took the form of a box of Vincent van Gogh cards for Mom, an art calendar or print for Dad’s office and an art poster for my sister.  

How do you select a piece of art for someone else?  You could start by considering their design sense or thinking about things they do with their free time as a way to find some art they might like.  You could take them with you to a local gallery or engage with them in a discussion about a piece of art online to get a sense of their preferences.  For some other thoughts, here is a link to a post on Saatchi art about tips for buying art for someone who means a lot to you. 

However you go about deciding what art to buy, your buying options are plentiful: visit a local gallery or art fair; contact an artist you know; explore new artists and reach out to them on Instagram; or visit online galleries like Artsy,Artspace or SaatchiArt. 

Making it Personal and Easy
Giving Limited Edition Prints

If you have someone special on your list who you think might like new art, I am making it easy for you to give the gift of Limited Edition photographs. 

If you want to give art as a gift you can buy a gift certificate for a Limited Edition print for that special person and then link them to BinhammerPhotographs.com to pick the print they want. Or they can email me and I will search my archives to find a photograph they love, and deliver that memorable gift you wanted for them.

How it works: You contact me to let me know the size of print and who the gift is for.  I’ll send you an invoice and a gift certificate.  All they have to do is email me the name of the print they want and it will be shipped directly to them, with the certificate of authenticity and ownership in their name.

Book Ideas, Including Roadside America

Art books can also be a wonderful gift.  For some of the best coffee-table art books, you might want to check out these ideas.  For some of the years best photography books, The Wall Street Journal offers thoughts.   If you would prefer to give a different type of gift my Roadside America photography book is available for purchase on Blurb.  

Happy Holidays to You From the Digital Darkroom

Hope your holidays are off to a grand start.  

At this time of the year, I also hope you find some time away from the daily grind of life to  reflect and discover the beauty in our lives. 

Enjoy some special time with friends and family doing whatever it is that this special season means to you

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